索爾·貝婁小說《赫索格》中的復(fù)調(diào)性

中圖分類號(hào)：I106.4

文獻(xiàn)標(biāo)識(shí)碼：A 文章編號(hào)：1671-9247（2024）06-0025-04

Abstract：TheAmerican literarycritic IvingHowedeclares that there isnotafullysatisfying denouement，anorganicfullmentoftheactioninthenovelsofSaulBelow，suchasHerzog.BasedonBakhtin’stheoryof tepolyphonicnovels，afteanalyzingthedetailsintenovel，thistesisputsforwardsthatIvingHowe'spointofviewisunilateal，ichhasignoredthepolonic artistic featuresofSaulBellow’snovels.Anopeninterpretationofthisnovel ircommended.Thepolyphonicfeaturesoftheentir novel，suchsoversaialaractesticsatialitychoicityenndsddingdteuceity incompletenessofthecharacterzationshouldbetakenintoconsiderationintheprocessofinterpretationoftisnovelinodeto beterunderstand thecharacteristicsofcomplexityambiguityand profundityof this noveland graspitsrichconnotation.

Keywords： Saul Bellow; Herzog;polyphonic features;carnivalizatior

歐文·豪（IrvingHowe）在評(píng)論索爾·貝婁的《赫索格》這部小說時(shí)，認(rèn)為其結(jié)尾是敗筆：“《赫索格》和貝婁的其他幾部作品《奧吉·瑪琪歷險(xiǎn)記》、《雨王漢德森》里都沒有一個(gè)時(shí)間的節(jié)奏序列，小說沒有一個(gè)有機(jī)的、行動(dòng)得以完成的、令人滿意的結(jié)尾。（剩余7287字）