古代小說(shuō)戲曲插圖同框手法的運(yùn)用

The Use of the “Same Frame” Technique in Illustrations of Ancient Novels and Operas

Li Mei

（ Shinjiang Normal University， Urumqi 830017）

Abstract：The useof ilustrations wasverycommoninthecreationof ancientnovelsandoperas.Ilustrations notonly provideavisualrepresentationofthecontentdepictedinthetextbutalsoenhancetheemotionalappealandatractivenessof the novelsandoperas.Amongthevarioustechniques inillustrationthe“sameframe"techniquehasacomplementaryeffect and was frequentlyusedinancient novels andoperas.This paperanalyzes theuse ofthe“same frame"techniquein illstrations，takingasexamplestheembroderedillstrationsusedinthe Qingdynastynovel ZengtuxiangzuoBenjingpingmiand the use of virtual -reality framing and light-dark framing in the Ming dynasty opera Xixiangji.

Key words：Ancient Novels and Operas；Same Frame Technique in Ilustrations；Application Strategies

一、小說(shuō)繡像插圖中揭示人物關(guān)系的同框

在我國(guó)古代小說(shuō)戲曲的創(chuàng)作過(guò)程中，在插畫的版本中應(yīng)用同框表現(xiàn)手法的創(chuàng)作早已存在。（剩余5312字）