極目長江：論傅抱石廬山山水畫藝術(shù)與長江文化的關(guān)系

打開文本圖片集

The Yangtze River in the Distance：On the Relationship Between Fu Baoshi' s Lushan Landscape Painting Art and Yangtze River Culture

Xie Jiusheng Xie Qingzhu

（School of Fine Arts，Jiangxi Normal University，Nanchang ）

Abstract：Asapainterfrom Jiangxi，F(xiàn)uBaoshi'sdepictionof Jiangxirelated painting subjects andthemescarres both externalconvenienceandinternalrecognition.InthecontextofYangtzeRivercultureFuBaoshi's Lushanlandscapepainting arthasbecomeanimportantcategoryinthe studyof YangtzeRiverpainting art.Moreover，F(xiàn)uBaoshibrokeawayfromtraditional spatialrepresentationsof Lushan landscape paintingsBydrawingonreal-lifescenes and sketches，hetransformed the perspective of viewing Lushan from theYangtze River，Poyang Lake，and other places inancient times （looking up or observingfromadistance）into theviewpoint of lookingdown from thepeakof Lushanand“viewing”theYangtze River and Poyang Lake.This spatialangle and expresson method closely connects Lushan withthe Yangtze Riverinthe artwork， whichis similarto the depiction methodsused in paintings like the“YangtzeRiver TenThousand Li”throughout history. Therefoe，F(xiàn)u Baoshi's Lushan landscape paintingshold a prominent position inthe study ofYangtze River painting art.

Key words：Fu Baoshi；Lushan；Yangtze River Culture；Landscape Painting Art；Viewing the Yangtze River

傅抱石在廬山繪畫藝術(shù)研究中有著十分重要的意義，作為江西籍畫家在表現(xiàn)與江西相關(guān)的繪畫題材與主題時更加具有外在便利性與內(nèi)在認(rèn)同感。（剩余6691字）