走出阡陌，融人市井：論黃梅戲過門的文化空間及音樂形態(tài)

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From Countryside to Marketplace：On the Cultural Space and Musical Form of Huangmei Opera's Guomen

SUN A'nan

（School of Music，AnhuiUniversityofArts，Hefei23OO11，China）

Abstract：Asan integral part of theaccompanimentart in Huangmei Opera，the guomen（musical interlude） playsa positiverole in enhancing musical expresson，highlighting singing styles，creating stage atmospheres，emphasizing dramatic plots，strengthening emotional resonance，andassistingactors toquickly"enterthe melody"and “get into the tune”.To reveal thedeep cultural implicationsand artistic principles of Huangmei Opera's guomen during the transition fromruraltourbanculture，this paper analyzes itsmanifestation forms，stylistic features，and survival environments indiferentperiods.Basedonthis，typical HuangmeiOperarepertoiresare selected to explore the morphological characteristics and functional mechanisms of lead $＼ulcorner$ in，inter-phrase，and closing guomen.The conclusions areas folows：（1）Since the mid-Qing Dynasty，theguomen of Huangmei Opera has undergone the influence of“square culture”，"grass-roots stage culture”，“flower stage culture”，and“professional stage culture”，gradually developing its unique musical color and stylistic charm；（2）Since the foundingof the People's RepublicofChina，the communal spiritualvalues，collctive creative forms，and versatileartistic characteristics embodied in the musical forms of Huangmei Opera's guomen have become thecornerstoneof the developmentof modern Huangmei Opera music.The in-depth study focusing on theguomen of Huangmei Opera not only showcases theculturalcharmand contemporary vitalityof Huangmei Operaartbut also provides theoretical support for the inheritance and innovation of Chinese operatic music in the present day.

Key Words ： Huangmei Opera；guomen ；cultural space；musical form

黃梅戲，作為中國戲曲藝術(shù)中的瑰寶，以其悠揚(yáng)婉轉(zhuǎn)的唱腔和生動鮮活的表演贏得了廣泛的贊譽(yù)，不僅是藝術(shù)界的“寵兒”，也成為了學(xué)術(shù)界關(guān)注的焦點(diǎn)話題。（剩余9232字）