從泛戲劇視角看沉浸式劇本殺游戲的模仿與跨界

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中圖分類號(hào)：G127文獻(xiàn)標(biāo)識(shí)碼：A

文章編號(hào)：2096-4110（2025）04（a）-0076-05

Abstract： Immersive murder mystery gamehas developed from desktop games to experiential behavioral games.As aform of entertainmentgatheringsocialgame，ithasrisenamongyounggroupsandisavoredbythemarketWiththedevelopmentofxperience consciousnessanddigitaltechnology，itsinteractiveforandaestheticstandardsareconstantlyimprovingandthereationandinvestmentcostsofmanylargeimmersivemurder mysterygamesandimmersivetheaterarecomparable.Becauseithasmanysimilaritieswithtraditionaltheaterinformandoverlapswithpostdramatischestheaterinconcept，manyarguments inrecentyearsbelieve thatitisakindofimmersivetheater.Tispaperfocusesontheoriginofdramaandgameitself，triestoanalyzethedamaticcharacteristicsofimmersivemurdermysterygamefromtheperspectiveofdrama，anddisussesitssimilariesanddiferences wihdrama. Throughthecomparisonofimmersivemurdermysterygameandimmersivetheater，thispaperconsiders theprospectanddevelopment possibility of the integration of theatre and immersive entertainment industry in the digital media environment.

Key Words： Immersive murder mystery game; Game; Immersive theater; Imitation; Crossover; Postdramatisches theater

2016年，隨著芒果TV綜藝節(jié)目《明星大偵探》的熱播和國(guó)內(nèi)沉浸式產(chǎn)業(yè)興起，“劇本殺”從圍桌而談的桌面游戲發(fā)展為體驗(yàn)式沉浸游戲，在國(guó)內(nèi)年輕群體中大火。（剩余7658字）