伍爾夫女性觀再探

——《達(dá)洛維夫人》中女性服飾書寫與身份認(rèn)同

中圖分類號(hào)：I106.4 文獻(xiàn)標(biāo)志碼：A 文章編號(hào)：1674-2346（2025）02-0048-06

Abstract：ThedressdepictioninthenovelMrs.Dalowayhaslongbeenignoredbytheacademiccircle.Throughthedressdepiction ofwomenofdierentsocialtatus，Woolfexpressdthatthehoiceofdresisareflectioofidentity.TheencounteofteVictoran styleandthenewstyleoftheJazzAgenotonlyreflects thecolisionofidentityconceptsbetweenwomen，butalsoreflectsWoolf scontradictoryviewsonwomen.Combinedwiththehistoricalbackgroudofwomen’sdressrevolutionintheearly2thcentury， thispaperusesidentitytheoryandandrogyniatheorytoshowthattheendingofSall’sreturtothefamilyreflectstheimmaturity andover-idealizationofWoolfsandrogyniaview.ItispointedoutthatWoolfdoeshaveanostalgiafortheVictorianperiodbut someexcellentcharacteristicsofVictorian womenare worthyofattentionand inheritancebynew women.Woofisactuallymore inclined to the modern view of the new woman.

Key words：Mrs.Dalloway；Women’s dress depiction; identity；androgyny

1歷史背景：20世紀(jì)初的女性服飾風(fēng)格轉(zhuǎn)變

英國維多利亞時(shí)代的女性服飾主要經(jīng)歷了4個(gè)時(shí)期：浪漫主義時(shí)期（1825＼～1850）、新洛可可時(shí)期（1850＼～1870）、巴斯?fàn)枙r(shí)期（1870＼～1890）以及S形時(shí)期（1890＼～1914）[。（剩余7990字）