多元文化視野下20世紀30年代中越新詩互動

中圖分類號：1207.25 文獻標識碼：A 文章編號：2096-4110（2025）07（b）-0146-05

Abstract：Inthe193Os，newpoetryinChinaandVietnamflourishedamidstthecollsionofWesternliterarytrendsandlocal culturalreforsresetingopletelyfntppeaacefrolsscaletryurigtisriodothoutriesptyply absorbeddiverseculturalnutrientsandformedunique modernpoetrystyles.ThisarticleanalyzeshowChineseandVietnamesepoetry integratestraditionalChineseculture，Westermodetought，andlocalculturalcharacteristicsfromamulticulturalperspectie vealingtheinteractionandinovationetweentetoountries‘poetryinthisstage.SpecificallyChnesepoetryotolyinr itstheartisticonceptionoflasicalpoetrybutalsodawsonWestersymbolismandromanticism.TheVietameseNewPoetrywas accompaniedbythepromotionofLatinized Vietnameselanguage，expressngnationalliberationdemandsthroughromanticismand symbolism.Bothcountries’poetrreflectsontheConfuciantradition.Inaddition，theintroductionof Westernreligiouscultureandindustrial civilizationwritingfurtherenrichedthemodernconotationofpoetry.Atthesametime，rural writinghasbecomeacommon focusofattntionforoetsfrombothcoutrs：Vietamesepoetrystrengthensnatioalaestheticsthroughregionallandscapes，hile Chinese poetry explores rural values through pastoral and social criticism.

KeyWords： ChineseandVietnamesenew poetry;The193Os; Traditional Chineseculture; Westernculture;Nationalcharacteristic culture; Cultural acceptance

20世紀30年代是世界文學(xué)格局變動的一個重要時期，中國與越南新詩在這一歷史節(jié)點上呈現(xiàn)明顯的現(xiàn)代轉(zhuǎn)型。（剩余6237字）