20世紀(jì)中國木刻版畫的色彩實(shí)踐研究

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摘 要：現(xiàn)代套色木刻在中國現(xiàn)代版畫的發(fā)展中占據(jù)著重要地位，而20世紀(jì)是其從啟蒙到成熟的重要時期。本文將對該時期中國套色木刻實(shí)踐中色彩運(yùn)用特點(diǎn)、技法創(chuàng)新和藝術(shù)價值等進(jìn)行研究，厘清其在推動版畫藝術(shù)發(fā)展上的作用，以及對于當(dāng)代藝術(shù)和對后世藝術(shù)家的影響。

關(guān)鍵詞：20世紀(jì)；木刻版畫；套色木刻；色彩實(shí)踐

Abstract： Modern color woodcut occupies an important position in the development of modern Chinese printmaking， and the 20th century is an important period from its enlightenment to its maturity. In this paper， we will study the characteristics of the use of color， technological innovation and artistic value in the practice of Chinese color woodcut in this period， and clarify its role in promoting the development of printmaking art， as well as its influence on contemporary art and on artists of later generations.

Keywords： 20th century；woodcut printmaking；color woodcut；color practice

0 引言

20世紀(jì)20年代左右，西方現(xiàn)代木刻借由魯迅等人介紹引進(jìn)中國，并逐漸演變成轟轟烈烈的新興木刻版畫運(yùn)動。（剩余5746字）