傳統(tǒng)色彩在高校美術(shù)版畫(huà)教學(xué)中的應(yīng)用研究

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摘 要：隨著全球文化交流的加深，中國(guó)傳統(tǒng)色彩文化逐漸受到國(guó)內(nèi)外學(xué)者的關(guān)注。尤其是在高校美術(shù)教育中，如何將傳統(tǒng)色彩與版畫(huà)教學(xué)相結(jié)合，培養(yǎng)既有民族特色又具國(guó)際視野的版畫(huà)創(chuàng)作人才，已成為重要的研究課題。本文將深入探討這一議題，以期為未來(lái)的美術(shù)教育提供參考。

關(guān)鍵詞：傳統(tǒng)色彩；高校美術(shù)；版畫(huà)教學(xué)

Abstract： With the deepening of global cultural exchanges， Chinese traditional color culture has gradually attracted the attention of scholars at home and abroad. Especially in college art education， how to combine traditional colors with printmaking teaching to cultivate printmaking talents with national characteristics and international vision has become an important research topic. This paper will discuss this issue in depth in order to provide reference for the future art education.

Keywords： Traditional color；college art；printmaking teaching

基金項(xiàng)目：本文系湖南省學(xué)位與研究生教研教改一般項(xiàng)目“數(shù)字時(shí)代藝術(shù)類(lèi)碩士研究生數(shù)字素養(yǎng)提升策略研究”研究成果（課題編號(hào)：2023JGYB199）。（剩余5520字）