用旋律理解油畫色調(diào)

——以楊鳴山風(fēng)景油畫為例

摘 要：色調(diào)是油畫最重要的本體語(yǔ)言，油畫色調(diào)和音樂旋律有著很多的互通性，從旋律的角度感性地理解油畫色調(diào)，并結(jié)合藝術(shù)家楊鳴山先生的風(fēng)景油畫進(jìn)行解讀。色調(diào)是畫面色彩的總體趨勢(shì)、整體氛圍，實(shí)則是相對(duì)的和諧色彩關(guān)系，是色彩的對(duì)比與調(diào)和辨證的對(duì)立與統(tǒng)一。

關(guān)鍵詞：油畫；色彩；色調(diào)；旋律；楊鳴山

Abstract： Color tone is the most important language of oil painting， and there is a lot of interconnectivity between oil painting color tone and music melody. From the perspective of music， we can intuitively understand oil painting color tone and interpret it in conjunction with artist Yang Mingshan’s landscape oil painting. Tone is the overall trend of color in a painting， and the overall atmosphere is actually a relative harmonious color relationship. It is the opposition and unity of color contrast and harmony.

Keywords： Oil painting；color；tone；melody；Yang Mingshan

在藝術(shù)跨界成為趨勢(shì)，藝術(shù)家們不斷地尋求新的藝術(shù)表現(xiàn)形式的當(dāng)下，對(duì)油畫本體語(yǔ)言的探討已經(jīng)越來(lái)越少。（剩余6190字）