石鐘寺區(qū)石窟功德主研究

——以第1、2窟供養(yǎng)人造像為中心

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內(nèi)容摘要：供養(yǎng)人造像是舍資造窟的功德主及其親屬禮佛供養(yǎng)的圖像。通過(guò)對(duì)劍川石窟石鐘寺區(qū)第1、2窟供養(yǎng)人造像的圖像配置與細(xì)節(jié)特征進(jìn)行比較分析，重新澄清此兩窟主像的人物身份，從而劃定了石窟功德主的考察范圍，并將在具體的時(shí)間、空間和社會(huì)情境中展開(kāi)討論，以期對(duì)關(guān)于石鐘寺區(qū)石窟功德主問(wèn)題作出合理的解釋。

關(guān)鍵詞：石鐘寺區(qū)石窟；功德主；第1、2窟；供養(yǎng)人造像

中圖分類(lèi)號(hào)：K879.29  文獻(xiàn)標(biāo)識(shí)碼：A  文章編號(hào)：1000-4106（2024）06-0051-09

Research on the Donors of the Caves in the Shizhongsi Area

—Focusing on the Statues of Donors in Caves 1 and 2

SUN Lin1 WANG Yuchuan2

（1. School of Fine Arts， Huaiyin Normal University， Huaian 223001， Jiangsu;

2. School of Tourism and Hotel Management， Yunnan University of Finance and Economics， Kunming 650500， Yunnan）

Abstract：Donor statues are depictions of the local figures， and often their relatives， who donated money to support the construction of religious caves and provide offerings to the Buddha. This paper presents a comparative research of the features and overall configuration of the donor statues in caves 1 and 2 in the Shizhongsi area， so as to confirm the identities of the two main statues in each of the caves and then define the scope of investigation necessary to further understand these patrons. The study concludes with a discussion of the significance of the caves in the context of its era， location and social background in an effort to explain the motives that the donors acted on when they decided to support the construction of the caves.

Keywords：Shizhongsi Area caves; donors; caves 1 and 2; donor portraits

云南省大理州劍川縣劍川石窟包括石鐘寺、沙登箐、獅子關(guān)三個(gè)窟區(qū)，是研究我國(guó)古代云南地區(qū)文化藝術(shù)的重要圖像資料。（剩余10508字）