青州風(fēng)格鹿野苑式佛像的傳播與發(fā)展

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內(nèi)容摘要：古青州地區(qū)出土大量北齊隋代鹿野苑式石刻立佛像，多數(shù)著通肩式袈裟，少數(shù)著袒右肩式袈裟、右肩半披式袈裟、雙領(lǐng)下垂式袈裟，造型受到印度、東南亞鹿野苑式佛像影響，同時(shí)深度漢地化、青州化。在核心區(qū)域形成青州、諸城兩個(gè)各有特征的造像組群，外圍區(qū)域囊括濟(jì)南、臨沂地方，輻射區(qū)域遠(yuǎn)及冀南、皖北地方。

關(guān)鍵詞：青州風(fēng)格佛像；鹿野苑式佛像；青州造像組群；諸城造像組群

中圖分類號(hào)：K879.3  文獻(xiàn)標(biāo)識(shí)碼：A  文章編號(hào)：1000-4106（2024）05-0040-15

On the Dissemination and Development of Sarnath Statues

in the Style of Qingzhou

Li Jingjie

（Department of Art History， Tsinghua University， Beijing 100084）

Abstract：A large number of standing stone Sarnath-type Buddha statues dating from the Northern Qi and Sui dynasties have been unearthed from an archaeological site in the ancient Qingzhou region. Most of the statues are adorned with a kasaya that covers both shoulders while a few are dressed with either the left or right shoulder exposed， or with both ends of the collar dropping down. The statues were made in the style of Sarnath Buddha images from India and Southeast Asia， though at the same time many of their features have clearly been Sinicized. Two types of image groups have been identified： one from Qingzhou and another from Zhucheng， each with its own unique characteristics. Various other areas were later influenced by these styles， including peripheral regions like Ji'nan and Linyi， as well as remote regions as far as southern Hebei and northern Anhui.

Keywords：Qingzhou style Buddha statues; Sarnath Buddha statues; group of Qingzhou Buddha statues; group of Zhucheng Buddha statues.

（Translated by WANG Pingxian）

收稿日期：2024-03-20

基金項(xiàng)目：國(guó)家社科基金項(xiàng)目“中國(guó)佛教圖像與思想研究”（21BZJ003）

作者簡(jiǎn)介：李靜杰（1963—  ），男，河北省平泉市人，清華大學(xué)教授，主要從事佛教物質(zhì)文化研究。（剩余9207字）