當(dāng)代色粉畫藝術(shù)語言探究

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摘 要：隨著時(shí)代的發(fā)展，色粉畫逐漸發(fā)展成為一種獨(dú)立的畫種。20 世紀(jì)的二十年代，由留法畫家李超士傳入中國。在這百年的光陰中，色粉畫如一粒種子落地生根。色粉畫具有豐富的藝術(shù)語言，在線條、構(gòu)圖、色彩等方面都有其獨(dú)特的藝術(shù)語言，在不斷發(fā)展的過程中不斷地豐富創(chuàng)新。

關(guān)鍵詞：色粉畫；藝術(shù)語言；發(fā)展

Abstract： With the development of The Times， pastel painting gradually developed into an independent painting.In the 1920s， it was introduced to China by Li Chao shi， a Chinese painter living in France. In this hundred yearsof time， pastel painting like a seed to take root. Pastel painting has a rich artistic language， in line， composition，color and other aspects of its own unique artistic language， in the process of continuous development is constantlyenriched and innovative.

Keywords： Pastel painting; the language of art; development of art

色粉畫是一種將色粉涂抹于紙面上構(gòu)成圖像的繪畫形式，它在中國傳統(tǒng)繪畫中有著悠久的歷史。（剩余5404字）