承前啟后展風(fēng)骨

——龍泉青瓷三人行

打開(kāi)文本圖片集

This article traces the origin of traditional fish pattern， analyzes the development， change and symbolic meaning of traditional Chinese fish pattern on various types of carriers in different periods （such as primitive period and the Neolithic Age）， continuously describes the current status in modern design， and probes into the value and application method of such pattern in modern design from the perspective of external form， internal meaning and overall spirit.

龍泉青瓷從南宋鼎盛以來(lái)，雖有沒(méi)落，卻從無(wú)斷燒，在時(shí) 代的跌宕起伏中，似一條披滿青色鱗甲的巨龍，時(shí)而展現(xiàn)全貌， 時(shí)而隱身云端，時(shí)而游入溪澗，時(shí)而只見(jiàn)龍尾。（剩余4107字）